Privacy Policy You may submit material for review by first contacting Music Matters at the email address above. Contents are Copyright 2012, Music Matters Review, All rights reserved
Music Matters Albums
Listen to samples of
music that matters.


Through iTunes
Through Amazon



Issue 15
Issue 16
Issue 17
Issue 18
Issue 19
Issue 20
Issue 21
Issue 22
Issue 23
Issue 24
Issue 25
Issue 26
Issue 27

Issue 28
Issue 29
Issue 30

Find us on Facebook

Click here to play FreeRice

FolkAlley.com: 24 Hour Streaming Folk Music


John Wesley Harding link:

John Wesley Harding

    John Wesley Harding
    The Knitting Factory, Hollywood, CA
    March 2, 2001




John Wesley Harding stole his stage name from a classic Bob Dylan album, but his gift for witty songwriting, and equally witty performing, is solidly an innate trait. These skills were on sparkling display in this small Hollywood club performance.

The set’s highlight came towards the end of Harding’s brief performance when he sang "Goth Girl" from the new "Confessions of St. Ace" album. It’s an unlikely love ode to a black-clad and depressive female Gothic music fan. Harding may have cynicism to spare, but he never lets this skepticism prevent him from seeing the indescribable joy of living. With his words of advice to this girl, he ponders why she can’t see the sunshine as he simultaneously offers to pour a little of his own light into her self-darkened world. In a music world of lyrical reruns, this is one unique idea for a love song, and it works primarily because of its utter originality.

Harding can certainly be a cheeky bugger, but beneath that quick-witted exterior there also lies a sensitive singer-songwriter. This side of his personality was displayed on the warm "Our Lady of the Highways," which bestows a prayer for traveling mercies upon a lover many miles away. It’s a song infused with gentle loving care.

He closed this short, yet exhilarating set with the wiseacre "Burn," which points out the temporal nature of so many seemingly grand human endeavors. But even while he is making these valid points, Harding has the good fun to name-drop the disco standard "Disco Inferno" along the way, revealing how easily he mixes pop culture with his social politics.

Harding is like a wild hair standing out from the perfectly groomed head of today’s singer/songwriter world. Thank goodness there is somebody who is never afraid to consistently let his hair down for a little good-natured and intelligent fun.—Dan MacIntosh


Back to main index